They are used to such great effect, you can't help but be pleased to hear it. The sections with Ryo's vocals bring you right back to 'Idolator', and while you may be disappointed that his vocals are merely secondary and are in no way lead here, 'epsilon' is to me, a mesh of everything BSC was before 'Mozaiq' and after. 'Mozaiq' was the runt of the BSC album litter, mostly due to the absence of Ryo's death vocals (which have thankfully returned on this release) and secondly, due to their change to more or less 'metalcore with trance elements'. 'Mozaiq' gave me the same feeling, but not nearly as much. Though this feeling is not new to me, Blood Stain Child's previous album, Metal, it somehow becomes far more than tolerable, it becomes what I can only describe as 'electric ear crack'. Alone techno sounds like a bunch of annoying sounds crudely meshed together by a zit-faced nerd sitting at his computer, but combined with my favorite thing in the world That being said and out of the way, something magical happened to my ears with this album. By itself, hearing techno is like knives going into my ears, and hearing about anime and the supposed amazing horror movies Japan has to offer makes me wish harm inflicted upon the vast majority of weeaboos in the United States. 'Before I start my review I would like to state that I cannot stand techno by itself, or most everything else that comes out of Japan for that matter.

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